Frequently Asked Questions

I am an abstract painter based in Washington, DC for most of the year, and I spend part of most summers working in the desert regions of the western United States. My studio is on 14th Street in the Petworth neighborhood.

My work is available for purchase directly through me. Many artworks can be purchased through the “Collect” section of my website. I also participate in group exhibitions, during which time those pieces may be available through the hosting gallery or venue. Studio visits in Washington, DC are available by appointment for those who would like to view and purchase artwork in person. You may use the contact form on my website to inquire about a specific piece or request a studio visit.

Prices for my work generally range from USD $75 to $2,500, depending on the materials used, the size of the piece, and the complexity of the process.

Yes. I am happy to offer payment plan options for collectors who would like to acquire an artwork over time. Please use the contact form on my website to inquire about a specific piece and available payment plan options.

I do accept commissions. My commission process begins with a personal consultation to discuss palette, scale, influences, installation considerations, and where the piece will be displayed. Pricing for commissioned work begins at $800 for pieces under 24 inches in any dimension. Larger works are typically priced at approximately $1.25 per square inch, with final pricing depending on materials and other specifics. Please contact me to schedule a consultation and receive a quote.

Studio visits are available by appointment for most of the year. I travel extensively during the summer months, which may limit availability during that time. I also participate in open studio events at Crestworth Studios, as well as group exhibitions and pop-up shows throughout the Washington, DC metro region. You may join my email list for updates on upcoming opportunities to view my work in person.

My abstract paintings are inspired by natural landscapes and elements such as moss, stone, canyons, mycelium, and geology, as well as by the relationships between color and shape. I work in many layers, moving between thick, generous applications of paint and softer washes or glazes of color. I am influenced by artists associated with the Washington Color School, including Anne Truitt and Barnett Newman, as well as minimalists such as Agnes Martin. My process often involves working in series, exploring repeated palettes or compositional ideas across multiple paintings at the same time.

I work primarily with acrylic paint, and occasionally mixed media collage, on wooden panels and canvas. I enjoy working on wood panels because they allow me to build up thick layers of paint and then scrape or sand them back, revealing earlier layers beneath the surface.

Some of my abstract paintings are informed by specific locations, including Utah canyon country and other public lands preserved for posterity. I also have a body of work inspired by hikes in Washington, DC’s Rock Creek Park. At times, a painting may reference a particular natural element—such as stone, flowers, rivers, or seasonal color. Other works are more open-ended, drawing from ideas, emotions, and concepts inspired by writers and artists I admire, and inviting personal interpretation.

I offer original abstract paintings that are one-of-a-kind, as well as a selection of limited edition prints based on those originals. I also create notecards featuring some of my most popular paintings. All of my work is created by human hand and mind, shaped by my own direct experience of the world.

Yes, I ship artwork anywhere within the United States. Shipping costs are the responsibility of the purchaser. I cover the cost of professional packaging materials to ensure that each piece arrives safely.

My paintings are finished with a UV-protective coating to help preserve pigment color, and many are also sealed with a polished cold wax finish that hardens to a subtle sheen. Paintings should be gently dusted occasionally using a soft, lint-free cloth. Please do not use cleaning fluids or sprays on the surface.

Collages are typically sold unframed, unless otherwise noted, and should be framed behind glass, acrylic glazing, or in a shadowbox. They are not varnished unless specified and may include delicate or vintage papers, so gentle handling is recommended.

Unless requested otherwise, paintings are sold with hanging hardware attached. Wooden panel paintings are framed. Stretched canvases include hanging hardware, while unstretched canvases will require stretching by a professional framer after purchase. Collages are sold unframed unless otherwise specified.

Yes. I regularly exhibit my work through solo and group shows, pop-ups, and other public opportunities. You can join my email list for the most up-to-date exhibition information, or follow me on Instagram for announcements and behind-the-scenes updates.

I am always interested in learning about potential collaborations, gallery representation, and exhibition opportunities, particularly artist-led projects. I have experience producing small exhibitions and welcome inquiries from artists, curators, and organizations.

I usually begin a series of paintings with curiosity about a specific idea, such as a color combination, a landscape, or a natural form that has stayed with me. This curiosity is often supported by research—such as reading about the geology of a region or studying how another artist approached a related concept. I like to begin intuitively and allow the early stages of a painting to develop through direct engagement with the materials. You can read more about my process in this artist talk.

The time required to complete a painting varies widely. All of my work develops through many exploratory layers, similar to sketching directly on the canvas or panel. Some paintings resolve within a week, while others evolve over several weeks as I make adjustments. Because I typically work in series, I usually have three to five paintings in progress at any given time.

I hope viewers feel invited to linger with my paintings. I want the colors and their interactions to draw people in, and for the forms to evoke emotions such as curiosity, delight, surprise, or uplift. When the work references natural spaces, I hope it reconnects viewers to their own experiences in nature and to the sense of wonder those environments inspire.

Yes. I offer classes in collage and lead a monthly collage drop-in night at The Green Room in Takoma Park, Maryland. My classes are typically two-hour classes that meet weekly for three weeks. Class topics include Intro to Collage, Adventures in Color, Deep Dive into Composition and Structure, and Collage + Text. The best way to find class dates is to request to be added to my email list.

Yes! I am a member of the Professional Artists of America, and an associate member of the National Association of Women Artists. And as an artist based in the Takoma Park neighborhood of Washington DC, I am a member of Takoma ARTery. I am also very proud of be a grant recipient and Fellow of the DC Commission on Arts & Humanities Artist Fellowship Program for 2025 and 2026.